A psychological found-footage horror world built from local legend, atmosphere, memory, and cinematic myth — presented here as proof of authorship, filmmaking, trailer editing, AI-assisted image work, and audience-facing creative direction.
A cinematic AI-assisted trailer built from real Moncton locations connected to Rebecca’s Grave. People and vehicles were removed from location imagery, then the city was reimagined as empty, abandoned, and haunted.
Rebecca’s Grave™ demonstrates the ability to develop a complete creative property across film, visual identity, trailer editing, AI-assisted image work, event design, and public presentation.
It strengthens the portfolio because it shows authorship and execution together: not just isolated shots, but a full world with atmosphere, audience logic, and a clear visual identity.
The film world functions as proof of filmmaking, promotion, visual direction, technical experimentation, and event-facing creative judgment.
For the abandoned Moncton trailer, real locations connected to the film were reworked into a deserted visual world. People and vehicles were removed, still frames were refined, AI was used to develop controlled motion and atmosphere, and the final sequence was edited to match the music, tone, and upgraded visual identity of the project.
The result is not random AI spectacle. It is a directed visual system built around place, mood, pacing, and the larger identity of the film.